The Thanksgiving Play

The Thanksgiving Play

Billing

The Thanksgiving Play

Show Information

This show has no intermission and should run at approximately 95 minutes (*Still working to solidify the approximate time) 

Content Disclosure: Conversations about genocide, oppression, and power dynamics. Satirical representations of a violent act.  

Welcome from the President

Rick Trietley

Dear Audience Members,

It’s great to have you with us. The 2026–27 performing arts season is a blend of outstanding music, comedy, dance, and drama sure to entertain and rouse the emotions while reminding us all of everything we love about the arts.

Each production is made possible through the hard work and support of our staff, volunteers, students, faculty, benefactors, sponsors, the FSPA whose vision and courage made the Fine Arts Center possible, and of course, you—our patrons. Thank you to everyone for your crucial role in making Viterbo University the premier destination for the arts in the region.

If you have not yet had the pleasure, I would like to extend a personal invitation to attend one of our Conservatory for the Performing Arts productions this season. The immense talent of our students always makes me extremely proud.

Now, on with the show!

“Pace e Bene”
Peace and all good

Rick Trietley Signature

Rick Trietley VIterbo University President

Conservatory Note

Rick Walters

Welcome to our 2026-27 season at the Conservatory!

Great stories and great music have the power to touch lives, inspire hope, and create community and a sense of belonging. This season, our stages will be alive with bold, heartfelt work from the extraordinary young artists in our Theatre, Musical Theatre, and Music programs.

From timeless classics to fresh new works, from joyful celebrations to thought-provoking journeys, every performance reflects the passion, courage, and artistry of students refining their creative voices. And you—our audience—are the essential ingredient that turns their hard work from “just another rehearsal” into something extraordinary.

By joining us, you’re not only experiencing the magic of live performance—you’re helping shape the next generation of artists who will carry that magic into communities across the country and around the world. Thank you for believing, as we do, in the power of the arts to surprise, to connect, to transform, and to inspire.

Rick Walters Signature

Rick Walters Executive Artistic DirectorConservatory for the Performing Arts

Director's Note

If you’re planning on The Holiday of Death as the title of our Thanksgiving Play, you’ll lose your job for sure. 

How in the world do we have a conversation about what we are celebrating as we move into the Thanksgiving holiday? For as long as humanity has had agricultural harvests, we have had the instinct to celebrate the bounty with a feast within our community. In ancient Egypt, this was in celebration of Min, the God of the Harvest and Fertility. In Nigeria the New Yam festival is celebrated by the Igbo people after the vital yam harvest. Samhain, a Gaelic festival, also celebrates the harvest as well as communing with our ancestors.  

For many in the U.S. just as it is with so many other cultures, our harvest festival Thanksgiving, too, is viewed as a holiday that brings family together, to feast, and to celebrate what we are grateful for. It’s a tradition that can be challenging to question, given that the contemporary context of giving thanks on this day in our country directly conflicts with the truth behind the myth of this holiday. In the quote above, the character Jaxton gives the play’s thesis early in the first scene. You’re here for a night of entertainment, and yes, we hope you laugh and enjoy yourself. Simultaneously, we’re having this conversation. That’s the beauty of Theatre, as well as the utility of satire.  

These characters believe, truly, that they are trying to do the right thing for the right reasons. In their earnest drive to grapple with the overall lack of diversity combined with the generational harm that has been perpetrated and minstrel played intentionally, whitewashing the genocide and conquest of the indigenous inhabitants of the United States. The interludes in this play are not mere caricatures of realistic educational models; they had been used in classrooms. If you look back at your childhood, think about how those lessons were perpetrated as the Macy’s red-face turkey and sweet potato-ization of Thanksgiving and how the sanitized story had been imprinted on you. 

Jaxton

Principal Cast

Logan
Alanna Sawall
Jaxton
Will Markert
Caden
Henri Copus
Alicia
AJ Murphy

Stand-by Cast (Saturday Matinee Performance)

Logan
Lucy Prush
Caden
Selma Olsen
Alicia
Alanna Wagner

Production Team

Director
Benjamin Gonzales
Assistant Director
Carley Clover
Production Stage Manager
Madalaine Brown

Production Crew

Light Board Operator
Angel Hernandez
Follow Spot Operator(s)
Sound Board Operator
Cooper Langer
Sound Run/Microphones

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